Ernest J. Bellocq (1873-1949)

Born John Ernest Joseph Bellocq, 1873, New Orleans
Died 1949, New Orleans
Resting place, New Orleans
Nationality, American
Occupation, Photographer
Years active, 1917 until his death

John Ernest Joseph Bellocq (1873 – 1949) was an American professional photographer who worked in New Orleans during the early 20th century. Bellocq is remembered for his haunting photographs of the prostitutes of Storyville, New Orleans' legalized red light district. These have inspired novels, poems and films.

Bellocq was born in a wealthy white French Creole family in the French Quarter of New Orleans. He became known locally as an amateur photographer before setting himself up as a professional, making his living mostly by taking photographic records of landmarks and of ships and machinery for local companies. However, he also took personal photographs of the hidden side of local life, notably the opium dens in Chinatown and the prostitutes of Storyville. These were only known to a small number of his acquaintances. In the latter part of his life, he lived alone and acquired a reputation for eccentricity and unfriendliness. According to acquaintances from that period, he showed little interest in anything other than photography. In his early days, he had been something of a dandy.

After his death, most of his negatives and prints were destroyed. However, the Storyville negatives were later found. After many years, they were purchased by a young photographer, Lee Friedlander. In 1970, a show of Friedlander's posthumous prints on gold tone printing out paper from Bellocq's 8" x 10" glass negatives were mounted by curator John Szarkowski at the Museum of Modern Art in Manhattan. A selection of the photographs were also published concurrently in the book, Storyville Portraits. These photographs were immediately acclaimed for their unique poignancy and beauty. A more extensive collection of Friedlander's prints, entitled Bellocq: Photographs from Storyville, was published with an introduction by Susan Sontag in 1996.

Ernest Bellocq Bellocq's Desk
Bellocq's Desk St. Philip Street OrphanageGirls' First Communion, 1910s Heavily laden horse drawn wagon, New Orleans, 1915, by Ernest J. BellocqWagon Chatade 1915 Church and College of the Immaculate Conception.Church and College of the Immaculate Conception
Mercy Hospital 1026 Conti1026 Conti 1026 Conti1026 Conti
1906, he moved to 840 Conti. #

In recent times, a significant number of prints from Bellocq's own studio have come to light. They are typical professional photographs of the day, such as portraits, copy work for the Louisiana State Museum, and local views, yet few if any Storyville portraits printed by Bellocq's hand exist. A number of early posthumous prints from Bellocq's negatives by photographer Dan Leyrer have also surfaced.

The E. J. Bellocq Gallery of Photography at Louisiana Tech University is named in his honor.

The Storyville Photographs

All the photographs are portraits of women. Some are nude, some dressed, others posed as if acting a mysterious narrative. Many of the negatives were badly damaged, in part deliberately, which encouraged speculation. Many of the faces had been scraped out; whether this was done by Bellocq, his Jesuit priest brother who inherited them after E. J.'s death or someone else is unknown. Bellocq is the most likely candidate, since the damage was done while the emulsion was still wet. In a few photographs the women wore masks.

Some prints made by Bellocq have since surfaced. These are far more conventional than the full-negative prints made by Friedlander.

The Storyville photographs not only serve as a record of the prostitutes, but also the interiors of the businesses that housed them.

Bellocq in literature and film:

The mystique about Bellocq has inspired several fictional versions of his life, notably Louis Malle's 1978 film Pretty Baby, in which Bellocq was played by Keith Carradine. He also appears in Michael Ondaatje's novel Coming Through Slaughter and is a protagonist in Peter Everett's novel Bellocq's Women. These works take many liberties with the facts of Bellocq's life. He is also a minor character in David Fulmer's novel Chasing the Devil's Tail.

The photographs have inspired imaginative literature about the women in them. There are several collections of poems, notably Brooke Bergan's Storyville: A Hidden Mirror []
and Natasha Trethewey's Bellocq's Ophelia: Poems []
The 1974 book Storyville, New Orleans: Being an Authentic, Illustrated Account of the Notorious Red-Light District by Al Rose [May be purchased at] gives an overview of the history of prostitution in New Orleans with many photographs by Bellocq.

In 1971, "Storyville Portraits" [] won a mention at the Rencontres d'Arles's Book Award, France

Sources: E. J. Bellocq, From Wikipedia, the free encyclopedia
University Textbooks and historical publications in possession of Webmaster

Site Sources

E.J. Bellocq operated studios in New Orleans, 1909-1932, including locations at 840 Conti Street, 157 Baronne Street, 608 Canal Street, and 818 Ursulines Street. Source:

View Bellocq's photos of Elks Lodge here.

Ernest Bellocq's body now lies in the family tomb in Saint Louis Cemetery #3; across the Bayou from the New Orleans Museum of Art, where he never dreamed his private photographic project would one day be displayed.